News

How do I approach a Colour Grade?
This is a question I sometimes I get asked by students…

Setting Up a Grading Environment
All grading suites need to have a correctly calibrated monitor…

Pod Cast with Vincent Taylor
A delightful chat with fellow colourist Vincent Taylor, (currently…

Where it all started in TV & Film Industry
Just chatting recently with a fellow colourist about…

So, what can’t you do as a colourist?
That might sound like a backhanded complement, but while…

Silver ACS for Drama Series ‘Playing for Keeps’ Series 2
Very pleased for Director of Cinematography Marty Smith for the…

Virtual Sets happening in Melbourne soon
26 July - Clayton Jacobson of Dreamscreen Australia received…

“Chef Antonio’s Recipe for Revolution” Australian-Italian Co-Production
It was a delight to work on this project…

“The Masked Singer” Season 2 – Behind the scenes at City Post
There was a whole new set of challenges on this project; being…

Katie Milwright receives a Golden Tripod for “Guilty” at the ACS National Awards 2019
"I was so delighted to receive a Golden Tripod at the ACS National…

The Colourist & Cinematographer Relationship
The Australian Cinematographer Society ran an online webinar…

CONTENT + TECHNOLOGY – Article about Miss Fisher and the Crypt of Tears
It was nice to have a chat with Phil Sandberg from Content and…


The Whistleblower – Feature Film
The grade for “The Whistleblower” is almost complete. This…

Miss Fisher and the Crypt of Tears Movie
Lovely to be working with Roger Lanser-Director of Photography…

Wrapping Up the Grade of a couple of great TV series
It's been a hectic start to 2019; two terrific TV series, "Miss…


“Deadlock” 2018 Winner
"Deadlock" Winner of the 2018 AACTA award for Best Online Video…